The Museum of Contemporary Art in Denver has unveiled an ambitious exhibition, 'Colorado Currents', marking the state's 150th anniversary. This show, curated by Miranda Lash and Leilani Lynch, is a testament to the power of art in reflecting and shaping our understanding of a place. It's not just a celebration of Colorado's history and nature but a thought-provoking exploration of the state's identity and its relationship with the environment. The exhibition is a carefully curated journey through various themes, each offering a unique perspective on Colorado's past, present, and future. From the aftermath of wildfires to the legacy of the Sand Creek Massacre, the show delves into the state's complex and often overlooked stories. The curators' approach is particularly intriguing, as they sought to balance the representation of Colorado's natural beauty with the exploration of its social and cultural narratives. By engaging with over 300 artists, they've managed to create a diverse and dynamic exhibition that challenges conventional notions of the state. One of the most striking aspects of 'Colorado Currents' is its emphasis on new commissions. Out of the 100 pieces on display, 44 are new works specifically created for this exhibition. This not only showcases the artists' talent and creativity but also highlights the importance of contemporary art in capturing the zeitgeist of a place. The exhibition's layout is a clever use of the museum's three floors, each dedicated to a different theme. On the lower level, Erika Osborne's oil paintings of burn scars and Erin Hyunhee Kang's projections of the Marshall fire create a powerful visual dialogue. Evan Forrest Mann's landscapes, painted en plein air, offer a surreal and intimate perspective on Colorado's natural beauty. The first floor, dedicated to history and personal identity, features Ronald Rael's 3D-printed adobe installation and the work of George and Halcyon Levi, descendants of the Sand Creek Massacre. Their ledger art provides a unique window into the past and the ongoing impact of historical trauma. The exhibition's strength lies in its ability to connect the past and present, highlighting how Colorado's history continues to shape its identity. Steven Frost's 'Mile High Pride Flag' and Marcus Correa's photographs of styled models in Denver serve as powerful reminders of the state's diverse communities and their resilience. The pairing of solo and group shows adds an element of surprise and encourages visitors to explore different artistic voices. However, the exhibition is not without its challenges. The gaps in representation, both at the individual and collective level, are notable. Some artists are only represented by a couple of pieces, and the show could have benefited from a more comprehensive exploration of Colorado's diverse artistic landscape. Despite these minor shortcomings, 'Colorado Currents' is a remarkable achievement. It invites visitors to reconsider their understanding of the state and encourages them to engage with its complex and multifaceted identity. The exhibition's impact extends beyond its physical space, as it prompts conversations about the role of art in shaping our perception of place. In my opinion, 'Colorado Currents' is a must-see for anyone interested in contemporary art and the power of artistic expression. It's a testament to the curators' vision and the artists' talent, and it leaves a lasting impression long after the visitor has left the museum. The exhibition is a reminder that art can be a powerful tool for exploring and understanding the world around us, and it invites us to reflect on the role of creativity in shaping our collective identity.
